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It made for an entertaining but not very productive interview.
This time, my meeting with the 28-year-old actress, in Los Angeles, is much more formal. In his absence, Danes is more serious, talking with focus about an acting career that has been steadily assuming a higher profile since she made her film debut at the age of 11.
As a producer on starring Jamie Foxx & Michelle Monaghan, which recently shot in Atlanta and Las Vegas and has a summer 2016 wide release.
Previous to Open Road, Payne spent seven years as Head of Production for Wind Dancer Films, creators of (Sam Worthington, Hailee Steinfeld, Brit Marling), which premiered at the 2014 Toronto International Film Festival and was released by Drafthouse Films fall 2015.
"I've done a standard British accent before, in [Richard Eyre's] Stage Beauty and now in Stardust, but cockney is completely different," she says.
"Even English actors can get it wrong so it's really a challenge."Stars far more experienced than Danes have come a cropper making misjudged attempts at foreign accents, but making her Broadway debut in cockney is clearly a risk Danes is relishing."I'm not doing Pygmalion for the money," she laughs.The competition isn’t soft— earns accolades when the film doesn’t—but there’s no reason to expect the Hollywood Foreign Press, which has given Di Caprio two prizes in the past, not the join the circle of celebration around him. In what’s probably the most competitive category of the night, you have three top-tier Oscar contenders (Blanchett, Larson, and Ronan) facing off against two lead actresses whose studios insist on deeming them supporting (Vikander and Mara), which means they haven’t been competing in this crowd for the most part.Many people see this category as a dead-heat race between Ronan and Larson, if only because Blanchett is a very recent Oscar winner and the category confusion for Mara and Vikander. will favor a seasoned theater artist who turns in a lovely, shaded, quiet performance in , but, again, that was a long time ago.From Oscar hopefuls to television upstarts, these are the thank-you speeches to watch for. Sure, the best-drama winner often matches up with the best-director winner, but this just isn‘t feeling like that kind of year, with affections and voting camps split all over the place.So while going to be Leonardo Di Caprio’s year, and the Golden Globes ought to be his first opportunity to give a lovely, humbled speech and remind us why we’ve loved him as a movie star for two decades now. We were both on the floor and I was playing with her schnoodle.